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It’s a subtle nod to the dangerous unknown that can lurk away from view. The image of a dark, foreboding tunnel returns a few times in bookending scenes and in the film's climax. "Memories of Murder" contains some breathtaking set pieces, including a night chase of a potential suspect and several scenes involving trains and tunnels. The whole system is broken enough that evil is allowed to flourish.īong’s visual acumen was so keenly refined even in this, only his second film. Bong also brilliantly casts all of this against a backdrop of political unrest-a key interview takes place during a school drill and the chief can’t get help when they need a lockdown because every officer is too busy suppressing a protest. In one of his best performances, Song sells that increasing concern that his team are outmatched. As the team learns that the killer only strikes on rainy nights and always calls in the same song request to a local police station before he does, the sense that the killer is simply smarter than Park and his abusive colleagues intensifies. The scenes of suspect abuse are upsetting, not merely for human rights violations, but because of how much further it seems Park is getting away from the truth. At first, some of the failures of the investigation feel almost comedic-the officer falling down the hill, Park attacking Seo the first time he sees him because he thinks he’s a suspect, etc.-but Bong very carefully turns up the intensity. The most accomplished aspect of Bong’s work is the calibration of tone. They’re flailing against the unknown, trying as hard as they can to close a case that’s getting out of control. Again, “Memories of Murder” is a procedural about people with no procedures. An early suspect is a mentally handicapped boy in the village, and Seo quickly realizes that he couldn’t possibly have committed the crime, even as a false confession is being forced out of him. Basically, it’s a process of finding a possible suspect and then torturing them into confessing. An officer from Seoul named Seo Tae-Yoon ( Kim Sang-kyung) has come to assist in the investigation and he’s startled a bit, as Bong intends viewers to be as well, by the tactics of Park and his colleagues. It’s only one of many sequences in “Memories of Murder” that rank among his best as a director. Bong’s direction in this sequence is incredible, presenting the rhythms of bad policework in a way that makes it feel organic while also fluidly moving his camera through a large, open space. They don’t know how seriously to handle the crime scene because they haven’t had to take anything this seriously before, and they have no idea how bad things are going to get. Without exaggerated comedy or melodrama, it captures how investigations can be hampered not so much just through ineptitude but something closer to apathy.
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No one seems to have any idea what to do.
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A tractor driver destroys a shoeprint that could have been evidence. There’s an incredible early sequence in which a body is laying in a field, exposed, as police officers and locals fumble about the area.
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And so when a series of brutal rapes and murders begins in the area, Park is one of the few people to realize early on what his department could be facing. He’s not necessarily incompetent but he’s also not often faced with intense criminal investigations. Drawing comparisons to “ Zodiac,” this isn’t about obsession as much as Fincher’s film, but it does capture that sinking feeling that evil is going to get away and there’s nothing anyone can do to stop it.ĭetective Park Doo-man (Bong regular and “Parasite” star Song Kang-ho) lives and works in the Gyeonggi Province in South Korea in the mid-‘80s.
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Of course, one of the best things about the Bong victory lap earlier this year was that it would bring new viewers to his earlier works, and they could instantly catch up with streaming films like “Mother,” “The Host,” and “ Snowpiercer.” Now we can add one of his absolute best to that list in “Memories of Murder,” a daring, nuanced story of the investigation around the man reported to be South Korea’s first serial killer, uncaught at the time of the film's release.
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The film is Bong’s 2003 drama “Memories of Murder,” a work that has been very difficult to see in the nearly two decades since its release. Despite the incredible events that have taken place in the world since the multiple Oscars for “ Parasite,” Neon is still basking in the afterglow of that history-making night, releasing another Bong Joon-ho flick for the first time in many markets today and tomorrow (10/19-20) and then putting it on VOD next week (on 10/27).